![]() ![]() One of the more important limitations is the doctrine of “fair use.” The doctrine of fair use has developed through a substantial number of court decisions over the years and has been codified in section 107 of the copyright law. This right is subject to certain limitations found in sections 107 through 118 of the copyright law ( title 17, U. One of the rights accorded to the owner of copyright is the right to reproduce or to authorize others to reproduce the work in copies. PETER CUSHING: THE VAMPIRE LOVERS REVIEW AND VINTA.PETER CUSHING: 'THE VAMPIRE LOVERS' MGM MIDNITE MO.PETER CUSHING / ARTHUR GRIMSDYKE 'TALES FROM THE C.PETER CUSHING: BIGGLES 1985 PETER CUSHING LAST MOV.PETER CUSHING MELISSA STRIBLING MICHAEL GOUGH: DRA.PETER CUSHING VINTAGE BBC RADIO TIME COVER 'TOVARI.PETER CUSHING: 'CALL HIM, MR SHATTER!' HAMMER FILM.PETER CUSHING AND THOSE BIRDS OF PARADISE! 'TWINS.PETER CUSHING: FRANKENSTEIN AND THE MONSTER FROM H.PETER CUSHING: 'THE CURSE OF FRANKENSTEIN' PETER B.VINCENT PRICE AND PETER CUSHING: 'MADHOUSE' VINTAG.PETER CUSHING: THE FLESH AND THE FIENDS: LOBBY CAR. ![]() PETER CUSHING AND THE POWER OF GOODNESS.PETER CUSHING: HAMMER FRANKENSTEIN FRIDAYS 'THE CU.'HEAR NOW, THE LEGEND OF THE HOUND OF THE BASKERVI.PETER CUSHING: PRESS AD AND PAPER BACK TIE IN 'THE.PETER CUSHING: SURPRISE 80TH BIRTHDAY PARTY IMAGES.PETER CUSHING 'PIC OF THE WEEK No 1' CHRISTOPHER.PETER CUSHING AND CHRISTOPHER LEE : THE LAST MEETI.PETER CUSHING CHRISTOPHER LEE FLYING CARPETS AND E.'THE REVENGE OF FRANKENSTEIN': REVENGE SERVED COLD.'THE REVENGE OF FRANKENSTEIN' REVIEW TWO ANNA LAB.'TERENCE FISHER FRANKENSTEIN AND THE MONSTER FROM.'FAMOUS FANTASTIC MYSTERIES' OCTOBER 1951 AND THE.HAMMER FILM PRODUCTIONS: SHANE BRIANT: NEW YORK TI.PETER AND HELEN CUSHING: VINTAGE TELEVISION CHILDR.'STAR WARS' OFFICIAL COLLECTORS EDITION 1977 PROGR.'BAY WATCH!' PETER CUSHING'S 1961 'FURY AT SMUGGLE.'THE CURSE OF FRANKENSTEIN' GERMAN PROGRAMME HAMME.PETER CUSHING: INVITE FOR STAR WARS TEST SCREENING.The DVD presents the film at its full 91 minutes. theatrical print, which ran only 89 minutes. MGM's DVD also restores several graphic and essential decapitations and stakings that were cut from the U.S. This DVD of THE VAMPIRE LOVERS also restores an often censored frontal shot of a fully nude Ingrid Pitt getting out of a tub, and this is the first time this has been witnessed on home video. The mono sound is clean, with dialog, music and sound effects all emerging clearly. Darker scenes are never too dark and always clear, while day-for-night shots look like nighttime without having their images obscured. The picture is virtually flawless, as the pristine source material manifests rich, distinct colors, strong clarity and nice detail. For once, the title is shown in its original 1.85:1 theatrical aspect ratio (with anamorphic enhancement), finally giving the film the composition it clearly lacked in past video transfers. MGM's new DVD transfer of THE VAMPIRE LOVERS comes off as a great success.
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